In her work she is interested in the notions of sublime and elusion, entering into a meditative process akin to a dream-like state. The real and the fantasy weave together, hiding behind the masks, threads and layers. Expression is channeled through those shapes, finding it's intention and force both in the normality and in the surreal.
The method she uses in her work is based on constructing an image or an object starting from the small building blocks, which, when gradually put together, let the pattern of the whole emerge. She likes to reconsider materials and shapes, finding new ways to inscribe them into the real through the imagination and moments of improvisation that occur in repetitive work.